IMPORTANT: If you are currently serving on a program committee and will be reviewing proposals for upcoming conferences on music theory or film music,
please STOP here and do not read the rest of this page.
Thank you!
When I traveled to New York City in 2007 to attend Ennio Morricone's concert at Radio City Music Hall,
I had the good fortune to be invited to the Manhattan School of Music to present a lecture on Morricone's film music.
Since then, I have continued my research on his film music and I am occasionally asked to present a lecture on that research.
Past lectures include:
- Somewhere between Modality and Atonality: The Superset and Subset Tetrachords in Ennio Morricone’s Score for Disclosure
- Music and the Moving Image XVI
- Saturday, May 30, 2020 at 2:00 p.m. Delivered online through Zoom
- NYU Steinhardt School of Culture, Education, and Human Development, New York NY
- Somewhere between Modality and Atonality: The Superset and Subset Tetrachords in Ennio Morricone’s Score for Disclosure
- Texas Society for Music Theory
- Saturday, March 29, 2020, Poster Session
- The University of Houston and Houston Baptist University, Houston TX
- "Degüello," No Mercy for the Losers: The Enduring Role of the Solo Trumpet in the Soundtrack of the Old West (Short Version)
- Music and the Moving Image XII
- Saturday, May 27, 2017 at 4:00 p.m., Room 779
- NYU Steinhardt School of Culture, Education, and Human Development, New York NY
- "Degüello," No Mercy for the Losers: The Enduring Role of the Solo Trumpet in the Soundtrack of the Old West (Short Version)
- The Hawaii University International Conferences on Arts and Humanities
- Sunday, January 4, 2017 at 10:00 a.m., Pakalana Room
- Ala Moana Hotel, Honolulu, Hawaii, U.S.A.
- "Degüello," No Mercy for the Losers: The Enduring Role of the Solo Trumpet in the Soundtrack of the Old West (Long Version)
- International Trumpet Guild Conference
- Saturday, June 4, 2016 at 3:00 p.m., North Tower, Garden 4
- Hyatt Regency Orange County, 11999 Harbor Blvd Garden Grove CA
- "Degüello," No Mercy for the Losers: The Enduring Role of the Solo Trumpet in the Soundtrack of the Old West (Short Version)
- College Music Society, Rocky Mountain Regional Conference
- Friday, march 18, 2016 at 2:30 p.m., Frasier Hall, Room 090
- The University of Northern Colorado, Greely CO
- Musical Gesture, Modality, and Dissonance in “L’Estasi dell’Oro” from Il Buono, il Brutto, il Cattivo:
Decoding Ennio Morricone’s Micro-Cell Technique (final short version)
- Music and the Moving Image VIII
- Saturday, June 1, 2013 at 11:30 a.m., 6th Floor
- NYU Steinhardt School of Culture, Education, and Human Development, New York NY
- Musical Gesture, Modality, and Dissonance in “L’Estasi dell’Oro” from Il Buono, il Brutto, il Cattivo:
Decoding Ennio Morricone’s Micro-Cell Technique (extremely short version)
- Music Theory Midwest
- Friday, April 26, 2013 at 2:30 p.m., Catlett Music Center, Room 131
- The University of Oklahoma, Norman OK
- Musical Gesture, Modality, and Dissonance in “L’Estasi dell’Oro” from Il Buono, il Brutto, il Cattivo:
Decoding Ennio Morricone’s Micro-Cell Technique (extremely short version)
- Texas Society for Music Theory
- Saturday, March 2, 2013 at 10:25 a.m., UNT College of Music, Recital Hall
- The University of North Texas, Denton TX
- Musical Gesture, Modality, and Dissonance in “L’Estasi dell’Oro” from Il Buono, il Brutto, il Cattivo: Decoding Ennio Morricone’s Micro-Cell Technique (very short version)
- The Hawaii University International Conferences on Arts and Humanities
- Sunday, January 8, 2012 at 4:00 p.m., Anthurium Room
- Ala Moana Hotel, Honolulu, Hawaii, U.S.A.
- Musical Gesture, Modality, and Dissonance in “L’Estasi dell’Oro” from Il Buono, il Brutto, il Cattivo: Decoding Ennio Morricone’s Micro-Cell Technique (revised short version)
- The Rocky Mountain Society for Music Theory
- Friday, April 16, 2010 at 10:00 a.m., School of Music, Room 146
- The University of Arizona, Tucson, Arizona, U.S.A.
- Musical Gesture, Modality, and Dissonance in “L’Estasi dell’Oro” from Il Buono, il Brutto, il Cattivo: Decoding Ennio Morricone’s Micro-Cell Technique (short version)
- Annual Film Music Conference
- Friday, November 6, 2009 at 3:30 p.m., School of Music, Lecture Hall 3
- The University of Leeds, Leeds, England.
- Musical Gesture, Modality, and Dissonance in “L’Estasi dell’Oro” from Il Buono, il Brutto, il Cattivo: Decoding Ennio Morricone’s Micro-Cell Technique (long version)
- Film Score Festival
- Sunday, April 19, 2009 at 2:00 p.m., Regenstein Hall, Master Class Room
- Northwestern University, Evanston, Illinois, U.S.A.
- Ennio Morricone: Il Maestro dell Cinema
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Friday, February 2, 2007 at 9:00 a.m.
- Manhattan School of Music, New York City, New York, U.S.A.
If your organization is planning a film music event,
and you would like me to present a lecture on Ennio Morricone as part of your event,
please contact me at CHARLESL@UTEP.EDU.
Many conferences allow a thirty-minute time slot for each lecture, including five or ten minutes for questions and answers.
The following lectures are available now, or will be in the near future:
- Musical Gesture, Modality, and Dissonance in “L’Estasi dell’Oro” from Il Buono, il Brutto, il Cattivo:
Decoding Ennio Morricone’s Micro-Cell Technique
This lecture would be of great interest to music theorists, but may also be of interest to film scholars and musicologists.
- "Deguello," No Mercy for the Losers: The Enduring Role of the Solo Trumpet in the Soundtrack of the Old West
This lecture would be of interest to trumpet players.
- Somewhere between Modality and Atonality: The Superset and Subset Tetrachords in Ennio Morricone’s Score for Disclosure
This lecture would be of great interest to music theorists, but may also be of interest to film scholars and musicologists.
Thank you very much! Grazie! Ciao!
C.F.L.
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