MUST 1313, Music Theory I CHARLES FRANCIS LEINBERGER, PH.D. and JOSEPH LECHER, M.M. UTEP Course Syllabus, Fall Semester |
ANNOUNCEMENTS | |||||
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For Fall 2024, all course content will be delivered in person. Quiz and exam questions that include music notation will be done by hand during class on Fridays. However, quiz and exam questions that are suitable for Blackboard (True/False, Multiple-Choice, Multiple-Answer, Matching, etc.) will be in Blackboard at my discretion. Once you purchase the text book or Ebook, you will have access to online workbook assignments. You do not need to purchase a printed workbook! I strongly encourage all students to submit assignments electronically. If you have the means to do so, please bring your laptop computer to class. I will show you how to log in to https://digital.wwnorton.com/conciseharmony2, complete, save, and download assignments. I will occasionally send very important emails to students who are enrolled in MUST 1313. I will enter my email address in the "TO:" field and the teaching assistant's email address in the "CC:" field. To protect students' privacy, student email addresses will be entered in the "BCC:" field. I very strongly recommend that students add my email address, CHARLESL@UTEP.EDU, to their "Safe Senders List." Thank you! C.F.L. |
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COURSE INFORMATION | |||||
Description: | Introduction to diatonic harmony for all music majors, including the elements of pitch and rhythm, major and minor key signatures, and functional harmony. Introduction to the principles of voice leading in species counterpoint as well as four-part harmony using root-position and inverted triads and seventh chords. | ||||
Location: | Fox Fine Arts Center, Room M101 | ||||
Meeting Times | MWF, 0930AM-1020AM and 1030AM-1120AM | ||||
Prerequisite: | A grade of "C" or better in MUST 1312, Music Fundamentals II, or a high score on the Music Theory Placement Exam | ||||
Co-requisite: | MUST 1111 Aural Skills I | ||||
INSTRUCTOR INFORMATION | |||||
Name: | Charles Francis Leinberger | Joseph Lecher | |||
E-mail: | CHARLESL@UTEP.EDU | JJLECHER2@UTEP.EDU | |||
Office: | Fox Fine Arts Center, Room M401B | Fox Fine Arts Center, Room M441 | |||
Office Phone: | (915) 747-7800 | ||||
Office Hours: | Charles Francis Leinberger's Office Hours | ||||
Biography: | Charles Francis Leinberger's Biography | ||||
TEACHING ASSISTANT INFORMATION | |||||
Name: | Jacquiline Klein | ||||
E-mail: | sjklein@miners.utep.edu | ||||
Office: | Fox Fine Arts Center, Room TBA | ||||
TEXTBOOK/WORKBOOK | |||||
Textbook/Workbook: |
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Also see: |
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Supplemental Reading: | |||||
COURSE GOALS, OBJECTIVES, AND TEACHING PHILOSOPHY. | |||||
Course Goal: | To provide the student with the theoretical knowledge and skills needed for success in a career in music performance, education, composition, production, and business. | ||||
Course Objective: | Upon successful completion of the course, the student will be able to:
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Teaching Philosophy: | Charles Francis Leinberger's Teaching Philosophy |
GRADING | |||
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The final grade will be calculated according to the following point values: | |||
10 Assignments | 10 points each | 100 points | 10% of final grade |
12 Quizzes | 25 points each | 300 points | 30% of final grade |
Midterm Exam 1 | 150 points | 15% of final grade | |
Midterm Exam 2 | 150 points | 15% of final grade | |
Final Exam | 300 points | 30% of final grade | |
Total Points Possible | 1000 points | 100% of final grade | |
Letter grades will be assigned based on the total number of points earned. | |||
A | 900-1000 points | 90.0-100.0% | |
B | 800-899 points | 80.0-89.9% | |
C | 700-799 points | 70.0-79.9% | |
D | 600-699 points | 60.0-69.9% | |
F | 0-599 points | 0.0-59.9% | |
W | A grade of "W" (Withdrawal) will be assigned only if a student drops the course before the Course Drop Deadline, which is the Friday of Week 10. | ||
I | A grade of "I" (Incomplete) will be assigned only if the student provides documentation for a situation that prevents him or her from completing the requirements for a passing grade. These situations include, but are not limited to, hospitalization, incarceration, and military deployment. |
COURSE POLICIES |
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The following policies apply to all of Dr. Leinberger's classes:
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SCHEDULE | |||||
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Week | Days | Topic | Assignment | Listening: Workbook |
Test |
1 | M | Burstein and Straus: Chapters 0: Notation of Pitch and Rhythm |
Read Syllabus 0 A: 1-6 (in class) 0 C: 1-4 (in class) 0 E: 1-10 (in class) 0 H: 1-3 (in class) |
None | |
W | |||||
F | Quiz 1 | ||||
2 | W | Burstein and Straus: Chapter 1: Scales | 1 A: 1-6 (in class) 1 B: 1-8 (in class) 1 C: 1-10 (in class) 1 H: 1-10 (in class) 1 I: 1-10 (in class) 1 J: 1-10 (in class) 1 K: 1-10 (in class) |
None | |
F | Quiz 2 | ||||
3 | M | Burstein and Straus: Chapter 2: Intervals | 2 A: 1-9 (in class) 2 B: 1-6 (in class) 2 B: 7 b-k (to be graded) 2 C: 1 b, c, k, l, m (to be graded) 2 C: 2 b, c, d, k, l (to be graded) 2 D: 1-20 (in class) |
None | |
W | |||||
F | Quiz 3 | ||||
4 | M | Burstein and Straus: Chapter 3: Triads and Seventh Chords |
3 A: 1-8 (in class) 3 C: 2 b-k (in class) 3 E: 4 b-k (to be graded) 3 G: 1 b-k (in class) 3 H: 3 b-k (to be graded) |
None | |
W | |||||
F | Quiz 4 | ||||
5 | M | Review for Midterm 1 | None | None | |
W | |||||
F | Midterm 1 | Midterm 1 | |||
6 | M | Burstein and Straus: Chapter 4: Four-Part Harmony |
4 A: 1-9 (in class) 4 B: 1 (in class) 4 C: 1 (to be graded) 4 E: 2-5 (to be graded) 4 F: 3 e, f, g, h (in class) 4 F: 4 b, c, d (to be graded) |
None | |
W | |||||
F | Quiz 5 | ||||
7 | M | Burstein and Straus: Chapter 5: Voice Leading Also read Stefan Kostka, Dorothy Payne, and Byron Almén: Tonal Harmony: Chapter 6 On Reserve in the Music Library |
5 A: 1-7 (in class) 5 B: 1 c-g (to be graded) 5 B: 2 c (in class) 5 C: 1 b-f (to be graded) 5 D: 1-2 (in class) 5 G: 1 (in class) 5 H: 2-6 (to be graded) |
5 B: 2 c | |
W | |||||
F | Quiz 6 | ||||
8 | M | Burstein and Straus: Chapter 6: Harmonic Progression Burstein and Straus: Chapter 7: Figuration and Embellishing Tones |
6 A: 1-8 (in class) 6 B: 1 (in class) 6 B: 2 a (to be graded) 6 C: 1 (to be graded) 6 C: 2 a (in class) 6 C: 3 a (in class) 6 D: 4 (or d) (to be graded) 7 A: 1-6 (in class) 7 C: 1 (to be graded) |
6 B: 2 a 7 C: 1-3 |
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W | |||||
F | Quiz 7 | ||||
9 | M | Burstein and Straus: Chapter 8: Species Counterpoint Also read Kent Kennan: Counterpoint (4th edition): Chapters 4 and 6 On Reserve in the Music Library |
8 A: 1-6 (in class) 8 B: 1 a (in class) 8 B: 1 b (to be graded) 8 B: 2, 4, 6 (in class) 8 C: 1 a (in class) 8 C: 1 b (to be graded) 8 C: 2, 4, 6 (in class) 8 D: 1 a (to be graded) 8 D: 1 b (in class) 8 D: 2, 4, 6 (in class) |
None | |
W | |||||
F | Quiz 8 | ||||
10 | M | Review for Midterm 2 | None | None | |
W | |||||
F | Midterm 2, Course Drop Deadline | Midterm 2 | |||
11 | M | Burstein and Straus: Chapter 9: I and V Burstein and Straus: Chapter 10: The Dominant Seventh Chord V7 |
9 A: 1-5 (in class) 9 B: 1-3 (in class) 9 C: 1 c (to be graded) 9 D: 1 (in class) 9 D: 2 a (to be graded) 9 E: 2 (to be graded) 10 A: 1-6 (in class) 10 B: 1-8 (in class) 10 C: 1 c (to be graded) 10 D: 1, 2 (in class) 10 D: 3 c (to be graded) 10 D: 4 (in class) 10 E: 1 c (to be graded) |
None | |
W | |||||
F | Quiz 9 | ||||
12 | M | Burstein and Straus: Chapter 11: I6 and V6 |
11 A: 1-5 (in class) 11 B: 5 a, b (in class) 11 C: 1 a, b (in class) 11 C: 2 a, b (in class) 11 D: 1 (to be graded) 11 E: 4 (to be graded) 11 E: 5 (in class) 11 G: 1 c (to be graded) |
None | |
W | |||||
F | Quiz 10 | ||||
13 | M | Burstein and Straus: Chapter 12: V65 and V42 |
12 A: 1-7 (in class) 12 C: 1 b, c (to be graded) 12 D: 2 d (to be graded) 12 F: 1 a, b, c (in class) 12 F: 1 d (to be graded) |
None | |
W | |||||
F | Quiz 11 | ||||
14 | M | Burstein and Straus: Chapter 13: V43 and vii°6 |
13 A: 1-10 (in class) 13 B: 1, 2 (in class) 13 C: 1 a. b (to be graded) 13 D: 1 (in class) 13 D: 2 b, c (to be graded) 13 E: 1 a, b (in class) 13 E: 1 g (to be graded) 13 G: 1 (in class) |
13 G: 1 | |
W | Quiz 12 | ||||
15 | M | Review for Final | None | None | |
W | |||||
Final | W or F | Final | None | None | Final |
COVID-19 STATEMENT |
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Charles Francis Leinberger's COVID-19 Statement |
PLAGIARISM/ACADEMIC DISHONESTY STATEMENT |
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Charles Francis Leinberger's Plagiarism and Collusion Statement |
DISABILITIES STATEMENT |
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Charles Francis Leinberger's Disability Statement |
charlesl home Charles Francis Leinberger's Fall Semester Schedule Roman Numerals for Musical Analysis CHARLESL@UTEP.EDU This page was updated 16 October 2024. All of this information is subject to change. |
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