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MUST 1314, Music Theory II CHARLES FRANCIS LEINBERGER, PH.D. and ABENI MERRIWEATHER, M.M. UTEP Course Syllabus, Fall Semester |
| ANNOUNCEMENTS | |||||
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For Spring 2026, all course content will be delivered in person. Some exam questions that are suitable for Blackboard (True/False, Multiple-Choice, Multiple-Answer, Matching, etc.) will be in Blackboard at my discretion. Once you purchase the text book or Ebook, you will have access to online digital Resources. You do not need to purchase a printed workbook! I will have an update on assignments soon! If you have not done so already, go to https://digital.wwnorton.com/conciseharmony3 and set up your username and password. You'll need the accdess code from your book. It's important that you use your UTEP email address, so I can add you to the Student Set. I will occasionally send very important emails to students who are enrolled in MUST 1314. I will enter my email address in the "TO:" field and the teaching assistant's email in the "CC:" field. To protect students' privacy, student email adresses will be entered in the "BCC:" field. I very strongly recommend that students add my email address, CHARLESL@UTEP.EDU, to their "Safe Senders List." Thank you! C.F.L. |
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| COURSE INFORMATION | |||||
| Description: | Harmonic progression including cadences, diatonic seventh chords, modulation to closely-related keys, an introduction to chromaticism, as well as non-chord tones and period forms. | ||||
| Location: | Fox Fine Arts Center, Room M101 | ||||
| Meeting Times | MWF, 0930AM-1020AM and 1030AM-1120AM | ||||
| Prerequisite: | A grade of "C" or better in MUST 1313 Music Theory I and MUST 1111 Aural Skills I | ||||
| Co-requisite: | MUST 1112 Aural Skills II | ||||
| INSTRUCTOR INFORMATION | |||||
| Name: | Charles Francis Leinberger | Abeni Merriweather | |||
| E-mail: | CHARLESL@UTEP.EDU | AJMERRIWEATHER@UTEP.EDU | |||
| Office: | Fox Fine Arts Center, Room M401B | Fox Fine Arts Center, Room M441 | |||
| Office Phone: | (915) 747-7800 | ||||
| Office Hours: | Charles Francis Leinberger's Office Hours | ||||
| Biography: | Charles Francis Leinberger's Biography | ||||
| TEXTBOOK | |||||
| Textbook/Workbook: |
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| Also see: | |||||
| Supplemental Reading: | |||||
| COURSE GOALS, OBJECTIVES, AND TEACHING PHILOSOPHY. | |||||
| Course Goal: | To provide the student with the theoretical knowledge and skills needed for success in a career in music performance, education, composition, production, and business. | ||||
| Course Objective: | Upon successful completion of the course, the student will be able to:
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| Teaching Philosophy: | Charles Francis Leinberger's Teaching Philosophy | ||||
| GRADING | |||
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| The final grade will be calculated according to the following point values: | |||
| 12 Assignments | 5 or 10 points each | 100 points | 10% of final grade |
| 12 Quizzes | 25 points each | 300 points | 30% of final grade |
| Midterm Exam 1 | 150 points | 15% of final grade | |
| Midterm Exam 2 | 150 points | 15% of final grade | |
| Final Exam | 300 points | 30% of final grade | |
| Total Points Possible | 1000 points | 100% of final grade | |
| Letter grades will be assigned based on the total number of points earned. | |||
| A | 900-1000 points | 90.0-100.0% | |
| B | 800-899 points | 80.0-89.9% | |
| C | 700-799 points | 70.0-79.9% | |
| D | 600-699 points | 60.0-69.9% | |
| F | 0-599 points | 0.0-59.9% | |
| W | A grade of "W" (Withdrawal) will be assigned only if a student drops the course before the Course Drop Deadline, which is the Friday of Week 10. | ||
| I | A grade of "I" (Incomplete) will be assigned only if the student provides documentation for a situation that prevents him or her from completing the requirements for a passing grade. These situations include, but are not limited to, hospitalization, incarceration, and military deployment. | ||
| COURSE POLICIES |
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The following policies apply to all of Dr. Leinberger's classes:
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| SCHEDULE | |||||
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| Week | Days | Topic | Assignment | Listening: Workbook |
Test |
| 1 | W | Burstein and Straus: Chapter 11: I6 and V6 | Read Syllabus Show It! InQuizitive Activities: Chapter 11: I6 and V6 |
None | |
| F | Quiz 1 | ||||
| 2 | M | Burstein and Straus: Chapter 12: V65 and V42 | Show It! InQuizitive Activities: Chapter 12: V65 and V42 | None | |
| W | |||||
| F | Quiz 2 | ||||
| 3 | M | Burstein and Straus: Chapter 13: V43 and vii°6 | Show It! InQuizitive Activities: Chapter 13: V43 and vii°6 | None | |
| W | |||||
| F | Quiz 3 | ||||
| 4 | M | Burstein and Straus: Chapter 14: Approaching the Dominant: IV, ii6, and ii65 | Show It! InQuizitive Activities: Chapter 14: Approaching the Dominant: IV, ii6, and ii65 | None | |
| W | Quiz 4 | ||||
| 5 | M | Review for Midterm 1 | None | None | |
| W | |||||
| F | Midterm 1 | Midterm 1 | |||
| 6 | M | Burstein and Straus: Chapter 15: Embellishing V: Cadential 64 | None | None | |
| W | |||||
| F | Quiz 5 | ||||
| 7 | M | Burstein and Straus: Chapter 15: Embellishing V: Cadential 64 continued | Show It! InQuizitive Activities: Chapter 15: Embellishing V: Cadential 64 | None | |
| W | |||||
| F | Quiz 6 | ||||
| 8 | M | Burstein and Straus: Chapter 16: Leading to the Tonic: IV | Show It! InQuizitive Activities: Chapter 16: Leading to the Tonic: IV | None | |
| W | |||||
| F | Quiz 7 | ||||
| SB | |||||
| 9 | M | Burstein and Straus: Chapter 17: The Leading-Tone Seventh Chord: viiø7 and vii°7 | Show It! InQuizitive Activities: Chapter 17: The Leading-Tone Seventh Chord: viiø7 and vii°7 | None | |
| W | Quiz 8 | ||||
| 10 | M | Review for Midterm 2 | None | None | |
| F | Midterm 2, Course Drop Deadline | Midterm 2 | |||
| 11 | M | Burstein and Straus: Chapter 18: Approaching V: IV6, ii, ii7, and IV7 Burstein and Straus: Chapter 19: Multiple Functions: VI |
Show It! InQuizitive Activities: Chapter 18: Approaching V: IV6, ii, ii7, and IV7 Show It! InQuizitive Activities: Chapter 19: Multiple Functions: VI |
None | |
| W | |||||
| F | Quiz 9 | ||||
| 12 | M | Burstein and Straus: Chapter 20: Voice Leading with Embellishing Tones | Show It! InQuizitive Activities: Chapter 20: Voice Leading with Embellishing Tones | None | |
| W | |||||
| F | Quiz 10 | ||||
| 13 | M | Burstein and Straus: Chapter 21: III and VII Burstein and Straus: Chapter 22: Sequences |
Show It! InQuizitive Activities: Chapter 21: III and VII Show It! InQuizitive Activities: Chapter 22: Sequences |
None | |
| W | |||||
| F | Quiz 11 | ||||
| 14 | M | Burstein and Straus: Chapter 23: Other 64 Chords | Show It! InQuizitive Activities: Chapter 23: Other 64 Chords | None | |
| W | |||||
| F | Quiz 12 | ||||
| 15 | M | Review for Final | None | None | None |
| W | |||||
| Final | W or F | Final | None | None | Final |
| PLAGIARISM/ACADEMIC DISHONESTY STATEMENT |
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| Charles Francis Leinberger's Plagiarism and Collusion Statement |
| DISABILITIES STATEMENT |
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| Charles Francis Leinberger's Disability Statement |
| charlesl home Charles Francis Leinberger's Spring Semester Schedule Roman Numerals for Musical Analysis Modulation Types for Musical Analysis This page was updated 26 February 2026. All of this information is subject to change. |
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