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MUST 1314, Music Theory II CHARLES FRANCIS LEINBERGER, PH.D. and ABENI MERRIWEATHER, M.M. UTEP Course Syllabus, Fall Semester |
| ANNOUNCEMENTS | |||||
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For Spring 2026, all course content will be delivered in person. Some exam questions that are suitable for Blackboard (True/False, Multiple-Choice, Multiple-Answer, Matching, etc.) will be in Blackboard at my discretion. Once you purchase the text book or Ebook, you will have access to online digital Resources. You do not need to purchase a printed workbook! I will have an update on assignments soon! If you have not done so already, go to https://digital.wwnorton.com/conciseharmony3 and set up your username and password. You'll need the accdess code from your book. It's important that you use your UTEP email address, so I can add you to the Student Set. I will occasionally send very important emails to students who are enrolled in MUST 1314. I will enter my email address in the "TO:" field and the teaching assistant's email in the "CC:" field. To protect students' privacy, student email adresses will be entered in the "BCC:" field. I very strongly recommend that students add my email address, CHARLESL@UTEP.EDU, to their "Safe Senders List." Thank you! C.F.L. |
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| COURSE INFORMATION | |||||
| Description: | Harmonic progression including cadences, diatonic seventh chords, modulation to closely-related keys, an introduction to chromaticism, as well as non-chord tones and period forms. | ||||
| Location: | Fox Fine Arts Center, Room M101 | ||||
| Meeting Times | MWF, 0930AM-1020AM and 1030AM-1120AM | ||||
| Prerequisite: | A grade of "C" or better in MUST 1313 Music Theory I and MUST 1111 Aural Skills I | ||||
| Co-requisite: | MUST 1112 Aural Skills II | ||||
| INSTRUCTOR INFORMATION | |||||
| Name: | Charles Francis Leinberger | Abeni Merriweather | |||
| E-mail: | CHARLESL@UTEP.EDU | AJMERRIWEATHER@UTEP.EDU | |||
| Office: | Fox Fine Arts Center, Room M401B | Fox Fine Arts Center, Room M441 | |||
| Office Phone: | (915) 747-7800 | ||||
| Office Hours: | Charles Francis Leinberger's Office Hours | ||||
| Biography: | Charles Francis Leinberger's Biography | ||||
| TEXTBOOK | |||||
| Textbook/Workbook: |
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| Also see: | |||||
| Supplemental Reading: | |||||
| COURSE GOALS, OBJECTIVES, AND TEACHING PHILOSOPHY. | |||||
| Course Goal: | To provide the student with the theoretical knowledge and skills needed for success in a career in music performance, education, composition, production, and business. | ||||
| Course Objective: | Upon successful completion of the course, the student will be able to:
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| Teaching Philosophy: | Charles Francis Leinberger's Teaching Philosophy | ||||
| GRADING | |||
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| The final grade will be calculated according to the following point values: | |||
| 12 Assignments | 5 or 10 points each | 100 points | 10% of final grade |
| 12 Quizzes | 25 points each | 300 points | 30% of final grade |
| Midterm Exam 1 | 150 points | 15% of final grade | |
| Midterm Exam 2 | 150 points | 15% of final grade | |
| Final Exam | 300 points | 30% of final grade | |
| Total Points Possible | 1000 points | 100% of final grade | |
| Letter grades will be assigned based on the total number of points earned. | |||
| A | 900-1000 points | 90.0-100.0% | |
| B | 800-899 points | 80.0-89.9% | |
| C | 700-799 points | 70.0-79.9% | |
| D | 600-699 points | 60.0-69.9% | |
| F | 0-599 points | 0.0-59.9% | |
| W | A grade of "W" (Withdrawal) will be assigned only if a student drops the course before the Course Drop Deadline, which is the Friday of Week 10. | ||
| I | A grade of "I" (Incomplete) will be assigned only if the student provides documentation for a situation that prevents him or her from completing the requirements for a passing grade. These situations include, but are not limited to, hospitalization, incarceration, and military deployment. | ||
| COURSE POLICIES |
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The following policies apply to all of Dr. Leinberger's classes:
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| SCHEDULE | |||||
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| Week | Days | Topic | Assignment | Listening: Workbook |
Test |
| 1 | W | Burstein and Straus: Chapter 11: I6 and V6 | Read Syllabus Show It! InQuizitive Activities: Chapter 11: I6 and V6 |
None | |
| F | Quiz 1 | ||||
| 2 | M | Burstein and Straus: Chapter 12: V65 and V42 | Show It! InQuizitive Activities: Chapter 12: V65 and V42 | None | |
| W | |||||
| F | Quiz 2 | ||||
| 3 | M | Burstein and Straus: Chapter 13: V43 and vii°6 | Show It! InQuizitive Activities: Chapter 13: V43 and vii°6 | None | |
| W | |||||
| F | Quiz 3 | ||||
| 4 | M | Burstein and Straus: Chapter 14: Approaching the Dominant: IV, ii6, and ii65 | Show It! InQuizitive Activities: Chapter 14: Approaching the Dominant: IV, ii6, and ii65 | None | |
| W | Quiz 4 | ||||
| 5 | M | Review for Midterm 1 | None | None | |
| W | |||||
| F | Midterm 1 | Midterm 1 | |||
| 6 | M | Burstein and Straus: Chapter 15: Embellishing V: Cadential 64 | None | None | |
| W | |||||
| F | Quiz 5 | ||||
| 7 | M | Burstein and Straus: Chapter 15: Embellishing V: Cadential 64 continued | Show It! InQuizitive Activities: Chapter 15: Embellishing V: Cadential 64 | None | |
| W | |||||
| F | Quiz 6 | ||||
| 8 | M | Burstein and Straus: Chapter 16: Leading to the Tonic: IV | Show It! InQuizitive Activities: Chapter 16: Leading to the Tonic: IV | None | |
| W | |||||
| F | Quiz 7 | ||||
| SB | |||||
| 9 | M | Burstein and Straus: Chapter 17: The Leading-Tone Seventh Chord: viiø7 and vii°7 | Show It! InQuizitive Activities: Chapter 17: The Leading-Tone Seventh Chord: viiø7 and vii°7 | None | |
| W | Quiz 8 | ||||
| 10 | M | Review for Midterm 2 | None | None | |
| W | Midterm 2, Course Drop Deadline | Midterm 2 | |||
| 11 | M | Burstein and Straus: Chapter 18: Approaching V: IV6, ii, ii7, and IV7 Burstein and Straus: Chapter 19: Multiple Functions: VI |
Show It! InQuizitive Activities: Chapter 18: Approaching V: IV6, ii, ii7, and IV7 Show It! InQuizitive Activities: Chapter 19: Multiple Functions: VI |
None | |
| W | |||||
| F | Quiz 9 | ||||
| 12 | M | Burstein and Straus: Chapter 20: Voice Leading with Embellishing Tones | Show It! InQuizitive Activities: Chapter 20: Voice Leading with Embellishing Tones | None | |
| W | |||||
| F | Quiz 10 | ||||
| 13 | M | Burstein and Straus: Chapter 21: III and VII Burstein and Straus: Chapter 22: Sequences |
Show It! InQuizitive Activities: Chapter 21: III and VII Show It! InQuizitive Activities: Chapter 22: Sequences |
None | |
| W | |||||
| F | Quiz 11 | ||||
| 14 | M | Burstein and Straus: Chapter 23: Other 64 Chords | Show It! InQuizitive Activities: Chapter 23: Other 64 Chords | None | |
| W | |||||
| F | Quiz 12 | ||||
| 15 | M | Review for Final | None | None | None |
| W | |||||
| Final | W or F | Final | None | None | Final |
| PLAGIARISM/ACADEMIC DISHONESTY STATEMENT |
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| Charles Francis Leinberger's Plagiarism and Collusion Statement |
| DISABILITIES STATEMENT |
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| Charles Francis Leinberger's Disability Statement |
| charlesl home Charles Francis Leinberger's Spring Semester Schedule Roman Numerals for Musical Analysis Modulation Types for Musical Analysis This page was updated 9 March 2026. All of this information is subject to change. |
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